9/2/11

LOOK IN OUR TOY BOX!



antebellum artist- MR. FOX did a demo of his art piece entitled~ 'THE MACHINE."
we had a lovely imtimate tea party and afterwords played with the toy chest created by DISCREET DESIGNS.






CHECK THEM OUT @ ANTEBELLUM
wednesday thru saturday- 1pm til 7pm
thru october 1st


photos courtesy- Connie M.

8/31/11

PIN UP


model- Jake Ryan - photo courtesy- Ryan Pfluger, 2011.

THREE FACES OF PETER




photos courtesy- Peter Savieri- Melbourne/antebellum corespondent

PYEWACKETT IS 20 YEARS OLD!


AWWWWW...... my black cat PYEWACKETT turned 20 years old today.
in human years that's like....90!!

(me & pyewackett having tea... you can't see him, but he's on my lap)

photo courtesy- glen meadmore- downtown-los angeles/antebellum corespondent

to celebrate this milestone i had a few people over for afternoon tea @ my home.
i served my guests a blend of chinese black tea with one rose bud and a sprinkle of damiana, (mexican aphrodisiac).
i called this special blend~ "PYEWACKETT."
for his birthday pyewackett receive 3 cans of sardines, a gift certificate to petco, one can of paul newman catfood and a
black & red heart filled with catnip! we sang happy birthday to my doll of a kitty... he is the best of me.


me & my black cat- pyewackett)


(my white cat- sympathy)

photo courtesy- kate mcconn- inglewood/antebellum corespondent

" ODE TO PYEWACKETT"
from gloriana casey

( for the date of August 31st, 2011)

Oh, Pyewackett, for twenty years
you've been a magic cat.
With Bell, and Book, and Candle too--
The Book of Shadows, that!

Your ancient Egypt self was Bast,
and sister--Horus' twin.
With hieroglyphic, BA, for soul.
As talisman? A win!

Then Happy Birthday, Pyewackett,
Good Fortune, so benign.
A power you must surely be,
with more than cat lives, NINE!

Agility-Fidelity,
a wonder of feline.
I ring the sistrum wide and loud
for birthday so sublime.******

MUSCLE FETISH!


photo courtesy- Bob Barbero

PIN UP


photo courtesy- Daniel J Squires Cater

8/29/11

THE GODDESS BUNNY~ ROOM WITH A VIEW



(my photo of the goddess bunny- circa 1992- in an apartment window of bremen, germany- 2011)

posted by jan klesse- bremen/antebellum corespondent

THE SPOTLIGHT CLUB~ PARIS


(glen meadmore performs @ the spotlight-paris)

now that THE SPOTLIGHT club in hollywood will be closing its doors for good, (yes it's true. the last night is september 5th)
we will all have to start traveling to PARIS to experience
RICK OWENS & MICHELE LAMY'S version of THE SPOTLIGHT.

similar to the notorious BEAT HOTEL, PARIS during the late 1950s, but post-modern.

photo courtesy- rick owens

8/28/11

DON'T POLITICIANS HAVE ANY AWARENESS OF HOW THE INTERNET WORKS?



— The chief of Puerto Rico’s senate says a lawmaker has resigned following reports that explicit photos of him surfaced on a mobile network application for gays and bisexuals.

Senate President Thomas Rivera Schatz announced Sunday that Republican Sen. ROBERTO ARANGO
has presented his resignation letter. Arango represents the U.S. territory’s capital.

Schatz has not released the lawmaker’s letter, but says the circumstances that led to the resignation “are very lamentable.”

One picture depicts a nude torso and is reminiscent of images that led to the resignation of U.S. Rep. Anthony Weiner of New York earlier this year. The other pictures show a nude man on his hands and knees.

Arango has neither confirmed nor denied the photos are of him.

IF THESE POLITICIANS EXPECT TO SAY IN OFFICE THRU THE 21ST CENTURY, THEY HAVE TO LEARN TECHNOLOGY.. once an image is posted thru ANY electronical device, it have the potential for THE WORLD TO SEE IT.

I HAVE A DREAM IS 48 YRS OLD



Martin Luther King "I have a dream" by WeHaveADream

a 17-minute public speech by Martin Luther King, Jr. delivered on August 28, 1963,
in which he called for racial equality and an end to discrimination. The speech, from the steps of the Lincoln Memorial during the March on Washington for Jobs and Freedom, was a defining moment of the American Civil Rights Movement. Delivered to over 200,000 civil rights supporters.
the speech was ranked the top American speech of the 20th century by a 1999 poll of scholars of public address.
According to U.S. Representative John Lewis, who also spoke that day as the President of the Student Non-Violent Coordinating Committee, "Dr. King had the power, the ability, and the capacity to transform those steps on the Lincoln Memorial into a monumental area that will forever be recognized. By speaking the way he did, he educated, he inspired, he informed not just the people there, but people throughout America and unborn generations."

At the end of the speech, King departed from his prepared text for a partly improvised peroration on the theme of "I have a dream", possibly prompted by Mahalia Jackson's cry, "Tell them about the dream, Martin!"


THE SPEECH--

I am happy to join with you today in what will go down in history as the greatest demonstration for freedom in the history of our nation.
Five score years ago, a great American, in whose symbolic shadow we stand today, signed the Emancipation Proclamation. This momentous decree came as a great beacon light of hope to millions of Negro slaves who had been seared in the flames of withering injustice. It came as a joyous daybreak to end the long night of their captivity.
But one hundred years later, the Negro still is not free. One hundred years later, the life of the Negro is still sadly crippled by the manacles of segregation and the chains of discrimination. One hundred years later, the Negro lives on a lonely island of poverty in the midst of a vast ocean of material prosperity. One hundred years later, the Negro is still languishing in the corners of American society and finds himself an exile in his own land. So we have come here today to dramatize a shameful condition.
In a sense we have come to our nation's capital to cash a check. When the architects of our republic wrote the magnificent words of the Constitution and the Declaration of Independence, they were signing a promissory note to which every American was to fall heir. This note was a promise that all men, yes, black men as well as white men, would be guaranteed the unalienable rights of life, liberty, and the pursuit of happiness.
It is obvious today that America has defaulted on this promissory note insofar as her citizens of color are concerned. Instead of honoring this sacred obligation, America has given the Negro people a bad check, a check which has come back marked "insufficient funds." But we refuse to believe that the bank of justice is bankrupt. We refuse to believe that there are insufficient funds in the great vaults of opportunity of this nation. So we have come to cash this check -- a check that will give us upon demand the riches of freedom and the security of justice. We have also come to this hallowed spot to remind America of the fierce urgency of now. This is no time to engage in the luxury of cooling off or to take the tranquilizing drug of gradualism. Now is the time to make real the promises of democracy. Now is the time to rise from the dark and desolate valley of segregation to the sunlit path of racial justice. Now is the time to lift our nation from the quick sands of racial injustice to the solid rock of brotherhood. Now is the time to make justice a reality for all of God's children.

It would be fatal for the nation to overlook the urgency of the moment. This sweltering summer of the Negro's legitimate discontent will not pass until there is an invigorating autumn of freedom and equality. Nineteen sixty-three is not an end, but a beginning. Those who hope that the Negro needed to blow off steam and will now be content will have a rude awakening if the nation returns to business as usual. There will be neither rest nor tranquility in America until the Negro is granted his citizenship rights. The whirlwinds of revolt will continue to shake the foundations of our nation until the bright day of justice emerges.
But there is something that I must say to my people who stand on the warm threshold which leads into the palace of justice. In the process of gaining our rightful place we must not be guilty of wrongful deeds. Let us not seek to satisfy our thirst for freedom by drinking from the cup of bitterness and hatred.
We must forever conduct our struggle on the high plane of dignity and discipline. We must not allow our creative protest to degenerate into physical violence. Again and again we must rise to the majestic heights of meeting physical force with soul force. The marvelous new militancy which has engulfed the Negro community must not lead us to a distrust of all white people, for many of our white brothers, as evidenced by their presence here today, have come to realize that their destiny is tied up with our destiny. They have come to realize that their freedom is inextricably bound to our freedom. We cannot walk alone.
As we walk, we must make the pledge that we shall always march ahead. We cannot turn back. There are those who are asking the devotees of civil rights, "When will you be satisfied?" We can never be satisfied as long as the Negro is the victim of the unspeakable horrors of police brutality. We can never be satisfied, as long as our bodies, heavy with the fatigue of travel, cannot gain lodging in the motels of the highways and the hotels of the cities. We cannot be satisfied as long as the Negro's basic mobility is from a smaller ghetto to a larger one. We can never be satisfied as long as our children are stripped of their selfhood and robbed of their dignity by signs stating "For Whites Only". We cannot be satisfied as long as a Negro in Mississippi cannot vote and a Negro in New York believes he has nothing for which to vote. No, no, we are not satisfied, and we will not be satisfied until justice rolls down like waters and righteousness like a mighty stream.
I am not unmindful that some of you have come here out of great trials and tribulations. Some of you have come fresh from narrow jail cells. Some of you have come from areas where your quest for freedom left you battered by the storms of persecution and staggered by the winds of police brutality. You have been the veterans of creative suffering. Continue to work with the faith that unearned suffering is redemptive.
Go back to Mississippi, go back to Alabama, go back to South Carolina, go back to Georgia, go back to Louisiana, go back to the slums and ghettos of our northern cities, knowing that somehow this situation can and will be changed. Let us not wallow in the valley of despair.
I say to you today, my friends, so even though we face the difficulties of today and tomorrow, I still have a dream. It is a dream deeply rooted in the American dream.
I have a dream that one day this nation will rise up and live out the true meaning of its creed: "We hold these truths to be self-evident: that all men are created equal."
I have a dream that one day on the red hills of Georgia the sons of former slaves and the sons of former slave owners will be able to sit down together at the table of brotherhood.
I have a dream that one day even the state of Mississippi, a state sweltering with the heat of injustice, sweltering with the heat of oppression, will be transformed into an oasis of freedom and justice.
I have a dream that my four little children will one day live in a nation where they will not be judged by the color of their skin but by the content of their character.
I have a dream today.
I have a dream that one day, down in Alabama, with its vicious racists, with its governor having his lips dripping with the words of interposition and nullification; one day right there in Alabama, little black boys and black girls will be able to join hands with little white boys and white girls as sisters and brothers.
I have a dream today.
I have a dream that one day every valley shall be exalted, every hill and mountain shall be made low, the rough places will be made plain, and the crooked places will be made straight, and the glory of the Lord shall be revealed, and all flesh shall see it together.
This is our hope. This is the faith that I go back to the South with. With this faith we will be able to hew out of the mountain of despair a stone of hope. With this faith we will be able to transform the jangling discords of our nation into a beautiful symphony of brotherhood. With this faith we will be able to work together, to pray together, to struggle together, to go to jail together, to stand up for freedom together, knowing that we will be free one day.
This will be the day when all of God's children will be able to sing with a new meaning, "My country, 'tis of thee, sweet land of liberty, of thee I sing. Land where my fathers died, land of the pilgrim's pride, from every mountainside, let freedom ring."
And if America is to be a great nation this must become true. So let freedom ring from the prodigious hilltops of New Hampshire. Let freedom ring from the mighty mountains of New York. Let freedom ring from the heightening Alleghenies of Pennsylvania!
Let freedom ring from the snowcapped Rockies of Colorado!
Let freedom ring from the curvaceous slopes of California!
But not only that; let freedom ring from Stone Mountain of Georgia!
Let freedom ring from Lookout Mountain of Tennessee!
Let freedom ring from every hill and molehill of Mississippi. From every mountainside, let freedom ring.
And when this happens, when we allow freedom to ring, when we let it ring from every village and every hamlet, from every state and every city, we will be able to speed up that day when all of God's children, black men and white men, Jews and Gentiles, Protestants and Catholics, will be able to join hands and sing in the words of the old Negro spiritual, "Free at last! free at last! thank God Almighty, we are free at last!"

DISASTER QUEEN

DELUGE (1933) directed by Felix E. Feist

an apocalyptic science fiction film, released by RKO Radio Pictures, about a group of worldwide natural disasters which lead to the destruction of the earth.
The film is loosely based on a novel by S. Fowler Wright, with the setting changed from England to the United States.
A series of earthquakes destroy the Pacific coast of the United States, causing a massive tsunami, which heads toward New York City. The wave leaves New York submerged in water and nearly all inhabitants of the city drown. This special effect sequence later inspired a scene in The Day After Tomorrow (2004).

The impressive effects were done by a team who later worked on the H. G. Wells-scripted film Things to Come (1936).
For many years, Deluge was thought to be a lost film, but a print dubbed in Italian was found in a film archive in Italy in the late 1980s. Before the discovery, the only part of the film known to survive was the impressive footage of the tidal wave destroying New York City, which was used in the Republic Pictures serials Dick Tracy vs Crime Inc and King of the Rocket Men.

EARTHQUAKE , 1974, Directed by Mark Robson and with a screenplay by George Fox and Mario Puzo.

American disaster film that achieved huge box-office success, continuing the disaster film genre of the 1970s where recognizable all-star casts attempt to survive life or death situations. The plot concerns the struggle for survival after a catastrophic earthquake destroys most of the city of Los Angeles, California.

10.5: APOCALYPSE, 2006, television miniseries written and directed by John Lafia.
A sequel to 2004's 10.5, the film follows a series of catastrophic seismic disasters (earthquakes, volcanic eruptions, tsunami, and sinkholes).


8/27/11

VAGUE SATAN


photo courtesy- luizo vega- madrid/antebellum corespondent

PUBLIC POOL- COLDSTAR

GETTING READY FOR HURRICANE IRENE



STARBUCKS IN NYC CLOSES.... THE ENTIRE FRANCHISE!
Starbucks is closed. I don't just mean the location in my neighborhood.
I mean THE ENTIRE FRANCHISE IN ALL 5 BOROUGHS!
And it would be generous to call the current precipitation a "light rain."
Who ordered the Trenta-sized alarmist latte?
reposted by bryan slater




A street in Puerto Rico shortly after Hurricane Irene ravaged the island.
Yes, that’s a shark swimming down the street next to a car, and this is exactly why authorities in NYC are warning people not to go swimming in flood waters after a hurricane.
repost by justin thomas

8/26/11

TINY TIM~ BEFORE PUNK


Tiny Tim sings "Earth Angel" - on THE ED SULLIVAN SHOW- circa 1968.

EIGHT YEARS BEFORE PUNK ROCK!

TWO WOMEN IN THE ANTEBELLUM TEA GARDEN



photos courtesy- lawrence elbert

21ST CENTURY COUPLE?


photo courtesy- Terry Dogwood Roethlein

LESBIAN WIDOW CHALLENGES MARRIAGE LAW



A mound of wreckage at the Indiana State Fair hasn't been disturbed since dozens of concertgoers and workers were pulled from under collapsed stage rigging from the sugarland a week ago.

The lawsuits are on behalf of a couple from Wanatah, Ind., who have been partners for 10 years and attended the show together.
Only one left the Fairgrounds alive.


Beth Urschel, 49, is seeking at least $60 million in a wrongful death claim from Mid-America Sound Corporation, which owned the collapsed stage structure, among a bevy of other companies that helped put on the concert. Urschel is filing the suit on behalf of the estate of her partner of a decade, Tammy VanDam, 42, who died in the incident, the Indianapolis Star reported.
The two lived in Wanatah, Ind., with VanDam's 17-year-old daughter. She was one of seven people killed in the collapse.

"We had so many plans and things we wanted to do," Urschel said of her partner.

READ MORE-

8/25/11

MARY PLEASE.... HINKLE SAYS, "I'M NOT GAY."


Rep. Phil Hinkle, R-Indianapolis, – after days of silence – has finally issued his own written release saying he won’t run again. He declined to step down, though.

“As for 2012, we, as a family, decided back in December after the 2010 election, that I would not be seeking another term,” Hinkle said.

The Indianapolis Star reported earlier this month that Hinkle responded to a Craigslist ad posted by an 18-year-old Indianapolis man seeking a “sugga daddy.”

It said Hinkle agreed to pay $80 plus a tip, and drove the man to the JW Marriott hotel in Downtown Indianapolis.
There, the teen said, he told Hinkle he wanted to leave. The man said Hinkle told him he was a state lawmaker,
stripped though they never had sex, and then gave him $100, his Blackberry and an iPad in an attempt to buy his silence.

The teen and his sister contacted The Indianapolis Star.

Hinkle defended himself against some of the accusations, saying he did not detain the teen in the hotel room, did not expose himself and did not offer money for silence.

“While I must admit to mistakes of judgment, I am seeking professional help on what turned me down a road of self-destruction,” he said. “Those who know me well know that continued silence is a challenge but at this point it is the best thing.”

"I don't know why i did it," Hinkle said. "I'm telling you, I don't know."

Usually i'm in control of my actions, he said, but something changed.

"I was on the road to self-destruction," he said, "and I don't know why."

Hinkle said he's not excusing his actions, which he called "stupid, but not illegal."

Hinkle also said Tuesday he's not a homosexual.

"I say that emphatically," he said. "I'M NOT GAY."

you can read more of hinkle's bullshit - HERE-

8/24/11

SUNSET JUNCTION- THE END OF AN ERA



as we've all heard by now- THE SUNSET JUNCTION STREET FESTIVAL-
was denied permits by the city of LA, so this weekend's festival is off...
you can read all the gory details- HERE-

what most people don't know (or remember) is the origins of this community street festival and its humble beginnings...

since i'm a lifelong resident of los angeles, i remember the circumstances that led to the creation of sunset junction.

i will tell you them now.....

silverlake & echo park were the original locations for filmmaking @ the turn of the century...
productions of laurel & hardy, the keystone cops and numerous silent films were created in the vicinity.



("the music box steps,"- Vendome Street (at the base of the hill) with Descanso Drive (at the top of the hill), silverlake)

during the early 1920s film productions shifted west to hollywood, culver city and studio city.
silverlake lost its luster and the housing market began to decline. because of the reasonable housing rates & rentals, by the 1960s & 70s, silverlake was now predominately latino and immigrants.
the first generation of children gravitated to gangs and gang activity...
perhaps as a way to fit in, or reaction to ostracism.

at the same time, the late 1960s and early 70s saw a huge influx of gay men ( in particular leathermen) into the area.
gay guys and gals would buy houses for next to nothing, fix them up and create beautiful gems to be proud of ...
numerous gay leather/fetish clubs began to open-

THE ONE WAY, THE GAUNTLET, CUFFS, BASIC PLUMBING, GRIFFS, THE DETOUR, BASCOS, THE MEATRACK, WOODYS and numerous other gay kinky spots began to emerge.



sunset junction was also the location of the original DIFFERENT LIGHT BOOKSHOP, LA's first gay bookshop.
(this was also the location of my first public photo exhibit in 1989)

the mexican gangs reacted very negatively to what they saw as "overt sex" something they were definitely not used to with their catholic upbringings.

THE ONE WAY was king of the leather bars, a totally hot spot- watering hole on hoover st. & melrose ave.

this was absolutely my favorite dive and the first leather bar i ever stepped foot in.

a young, handsome black photographer named
DWIGHT HARRIS was making a name for himself in the early fashion industry.
i had both the pleasure of working with dwight and having a brief affair with him. he was the sweetest man.
kind, creative, shy and very sexy.

in late 1979 dwight harris went to the one way and met someone.. which was pretty much always the way it worked @
the one way.. it was by far the best pick up bar... you were pretty much guaranteed to connect with someone..
it just had that vibe.

dwight and his "pick-up" decided to walk to the local park located one block away.

they had found themselves some bushes and were having a little mutual blowing when a group of gang members came upon them.
the gang members yelled gay slurs and threatened them.
the boys tried to get away... one was able to, one was not. dwight was chased down by the gang, overpowered,
beaten up and shot.
dwight was 21 years old when he was murdered.
there was a blip of a mention in the LA weekly.

i attended dwight's service in inglewood... i had never been to a black funeral before..
his mother, sisters and family just wailed out-of-control over his casket. their sorrow and pain cut thru my soul...
it was intense.

soon after a local group of gays, straights, Latinos and immigrants had a public meeting and tried to address the problem that was now a crisis in their neighborhood.
one year later on august 27th, 1980, the FIRST ANNUAL SUNSET JUNCTION COMMUNITY STREET FESTIVAL was realized.


i attended this 1st street fair and was amazed to see latinos with baby strollers, gang members, leather guys wearing black leather chaps with the butts cut out,senior gays & lesbians, and numerous punk/new wave kids co-mingling with smiles on their faces.

it was a first for the area... los angelenos were not used to large public groups walking on the streets... remember this was the era of "NO ONE WALKS IN LA."



(sunset junction- circa 1982- photos courtesy- carol citrone)

i find it sad that the organizers of sunset junction have become so greedy and bloated charging $20 cover for an event that was supposed to be a community outreach... that was the roots of the festival.
not the "lalapalooza/PR get me a signed record deal /look how alternative i am," farce it has now become.

I HOPE THAT SUNSET JUNCTION will re-discover itself and go back to its roots.

rick castro- antebellum

REAL TIME- TRUE ADVENTURE



THIS JUST HAPPENED TO A FRIEND OF MINE.. HE SAID I COULD REPOST-

OMG!....I was in in the public restroom - I was barely sitting down when I heard a voice in the other stall: "Hi, how are you?"

Me: embarrassed, "Doin' fine!"

Stall: "So what are you up to?"


Me: "Uhhh, I'm like you, just sitting here."

Stall: "Can I come over?"

Me: (attitude) "No, I'm a little busy right now!!"

Stall: "Listen, I'll have to call you back. There's an idiot in the other stall who keeps answering all my questions!" ~~

8/23/11

SOLID AS A ROCK- RIP



NICK ASHFORD, one-half of the legendary Motown songwriting duo
ASHFORD & SIMPSON that penned elegant, soulful classics for the likes of
Diana Ross and Marvin Gaye and funk hits for Chaka Khan and others, died Monday at age 70.

Ashford, who along with wife Valerie Simpson wrote some of Motown's biggest hits, died in a New York City hospital, said publicist Liz Rosenberg, who was Ashford's longtime friend. He had been suffering from throat cancer and had undergone radiation treatment.


Though they had some of their greatest success at Motown with classics like "Ain't No Mountain High Enough" and
"Reach Out And Touch Somebody's Hand" by Ross and "You're All I Need To Get By" by Gaye and Tammi Terrell,
Ashford & Simpson also created anthems for others, like "I'm Every Woman" by Khan (and later remade by Whitney Houston). Ashford & Simpson also had success writing for themselves: Perhaps the best-known song they sang was the 1980s hit
"SOLID AS A ROCK."


NUDE SUPERHERO


photo courtesy- luizo vega- madrid/antebellum corespondent

MOROCCAN TEATIME


photo courtesy- erica liscano- los angeles/antebellum corespondent

8/22/11

THE END OF SUNSET JUNCTION??



By a 3-1 vote, the Los Angeles Board of Public Works has denied the Sunset Junction Neighborhood Alliance operating permits for its 2011 street fair, putting the three-decade-old event in serious jeopardy just days before its scheduled start Saturday.

Citing nearly $400,000 in unpaid fees for both the 2010 and 2011 festivals, some of which the festival's organizers disputed, this afternoon the board approved a motion to deny the permits. The board did leave open the possibility that if festival founder Michael McKinley could raise the estimated $141,978.57 in fees owed for the 2011 fair, the board could reconvene Wednesday to reassess the permits.

READ MORE-

HOLLYWOOD WITH A VIEW


Outpost sign at the top of Runyon canyon

photo courtesy- lawrence elbert- hollywood/antebellum corespondent

8/21/11

FIREWORKS

THE NEXT GENERATION OF PROTESTERS

ANARCHY AS PUBLICITY

this sad state of affairs is our next generation of ameican protesters-

throughout 2011, twenty-somethings have started full revolutions in egypt, libya, tunisia and algeria.
thru tweets and online communications young people have been able to rally their peers and create dramatic change in a surprisingly short amount of time.


recently in the UK, young people protested and rioted in 6 different cities as a reaction against police brutality of minorities.
ealier this year UK students lead a very intense protest against high tuition fees.




in american it seems our revolution is lead by conservative, hypocritical- tea parties. until now....

yesterday rapper- "MACHINE GUN KELLY,
" tried to start a "flash mob riot," @ a suburban cleveland mall in strongville, ohio. his hometown.

sean "p. diddy, puff daddy, puffy" combs, had signed machine gun to his "bad boy" record label.

and what was mr. machine gun rioting about??....... wait for it......

HE WAS PROMOTING HIS NEW CD....HE STOOD ON A TABLE IN A MALL AND GOT ARRESTED.....
AS A PUBLICITY STUNT!
i fear the worst for this country.


listen to machine gun explain why he rioted @ the end of this clip...
he can't even string a sentence together, except for "LACE UP,"
the catch phrase for his new cd.

DECADENCE AS A CHAIR


photo courtesy- Guy Berube