7/25/09
FRED
ok, i know it's kinda silly goose, but i had to post one FRED. if you like you can link to the others. if you hate, then log out
PIGGLY-WIGGLY SCORES BIG
is this a plushy or a mascot? you decide
7/24/09
MY KIND OF AD!
7/22/09
GAG THE FAG
ANTEBELLUM
presents
FETISH FLM NIGHT
(FFN)
screening of GAG THE FAG
short films about face-fucking
followed by a Q&A with filmmaker- MARK JACOBS
program approx. 70mins
forced cock-sucking is a controversial subject in porn, creating a debate on what is appropriate to fetishize. Fetish and sexual desire will never be a politically-correct subject, since they speak to our private fantasies. our private ideas can only exist uncensored as long as they remain private. antebellum gallery encourages conversation and debate about all things fetish.
this is a XXXX- rated program
FRIDAY - JUly 24th
7:30PM
$12 advance
$15 @ the door
LIMITED SEATING- RESERVE NOW!
to reserve with paypal or credit card to- antebellum@earthlink.net
antebellum
1643 n las palmas ave.
hollywood, ca 90028
323 856-0667
www.antebellum.us.ms
antebellum@earthlink.net
validated parking available @ classic parking, directly across the street from antebellum
RUPERT EVERETT WOULD'VE SLEPT WITH MJ
AD-MJ-26
former actor rupert everett has some amazing things to say about michael jackson's death, obama and america. although he has some great quotable points, he's still a dick. i remember photographing him for the advocate back in 1987, and he was an arrogant prick. somewhat like the celebrities he despises.
Michael Jackson: Why it's better that he died, says Rupert Everett.
"I would have leapt at the chance of sleeping with Michael Jackson when I was 14."
"He was a freak," says Everett, who at 50 is the same age Jacko was when he died.
"He looked like a character from Shrek. He was a black to white minstrel. He was crucified by that court case when he was accused of child molestation - that killed him.
"He personified the pain and anxiety of a black man in a slave country. We all watched as he changed from black to white. He was living performance art.
"I think it was fortuitous that he died. He was supposed to be doing 50 concerts in London.
"It wouldn't have mattered how good or bad he was. He wouldn't have managed to do all of them and the press would have destroyed him."
Everett believes that Jacko's death may even spell the end of modern-day celebrity itself.
"You cannot divide the music from the person,"
"I think his life - and death - is a great lesson.
"I think we are going to see the end of celebrity as we know it. Showbusiness is not an honest profession."
Everett likens the extremities of today's fame to the debauched Versailles court of Marie Antoinette, which sparked the French revolution.
"It's like the last days of Versailles," he says. "I do wonder how much more bullshit people can take about celebrities." Everett has been part of that debauched showbiz world since he got his big break in the acclaimed 1982 West End play turned hit film Another Country, which was loosely based on the schooldays of gay communist spy Guy Burgess.
"We're living in very strange times," says Everett, "We have Michael Jackson, a black man who has gone white, and we have President Barack Obama, who is a half-white man gone black. It's absolutely fascinating to watch."
"America is a weird place now. In the US cartoons are more realistic than real-life.
READ MORE-
former actor rupert everett has some amazing things to say about michael jackson's death, obama and america. although he has some great quotable points, he's still a dick. i remember photographing him for the advocate back in 1987, and he was an arrogant prick. somewhat like the celebrities he despises.
Michael Jackson: Why it's better that he died, says Rupert Everett.
"I would have leapt at the chance of sleeping with Michael Jackson when I was 14."
"He was a freak," says Everett, who at 50 is the same age Jacko was when he died.
"He looked like a character from Shrek. He was a black to white minstrel. He was crucified by that court case when he was accused of child molestation - that killed him.
"He personified the pain and anxiety of a black man in a slave country. We all watched as he changed from black to white. He was living performance art.
"I think it was fortuitous that he died. He was supposed to be doing 50 concerts in London.
"It wouldn't have mattered how good or bad he was. He wouldn't have managed to do all of them and the press would have destroyed him."
Everett believes that Jacko's death may even spell the end of modern-day celebrity itself.
"You cannot divide the music from the person,"
"I think his life - and death - is a great lesson.
"I think we are going to see the end of celebrity as we know it. Showbusiness is not an honest profession."
Everett likens the extremities of today's fame to the debauched Versailles court of Marie Antoinette, which sparked the French revolution.
"It's like the last days of Versailles," he says. "I do wonder how much more bullshit people can take about celebrities." Everett has been part of that debauched showbiz world since he got his big break in the acclaimed 1982 West End play turned hit film Another Country, which was loosely based on the schooldays of gay communist spy Guy Burgess.
"We're living in very strange times," says Everett, "We have Michael Jackson, a black man who has gone white, and we have President Barack Obama, who is a half-white man gone black. It's absolutely fascinating to watch."
"America is a weird place now. In the US cartoons are more realistic than real-life.
READ MORE-
7/21/09
7/20/09
7/19/09
MODERN POETS
who's a better poet? a republican governor having an argentinean affair or a republican house rep texting boy-interns
OUTING IS SO PUNK
i recently had a little cyber reunion with belinda carlisle.... way back in the punk days we used to have lunch together. i was working @ the hollywood surplus store and she was working as a secretary somewhere in the area. i reminded her about this and she fondly remembered. here's footage of the original go-gos, including margo-go, who left the band before they became famous.
Labels:
END OF AN ERA,
gay,
gay history,
music,
pop,
punk
CLUB FUCK! 20ANNIVERSARY
original club fuck membership card
JAMES STONE, MICHELLE CARR & RICK CASTRO present
FUCK20TH ANNIVERSARY
the golden years of LA's premiere fetish nightclub
CLUB FUCK!- 1989- 1992
OPENING NIGHT- AUGUST 5TH, 2009
7-10pm
$10 cover
featuring artwork by
RICK CASTRO
DEREK RIDGERS
CAT GWYNN
MARIA BOYD
SHEREE ROSE
RUSS RIDDLE
ELYSE REGHER
PETER PALLADINO
CATHERINE OPIE
JANE MCMANIGILL
and many more!
original club fuck dj- JON MARK
LIVE PERFORMANCE BY
LINDA LESABRE~BEATMISTRESS
exhibit runs thru september 12th, 2009
antebellum
1643 n las palmas ave
hollywood, ca 90028
323 856-0667
www.antebellum.us.ms
antebellum@earthlink.net
dedicated to the memory of
CLIFF DILLER* MIGUEL BERISTAIN, ROBERT WOODS*
@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@
on august 5th, 1989, the club scene in los angeles changed forever.
a group of young kinky queers premiered their new night club dedicated to all things fetish- another cultural movement was born.
hosted by MIGUEL BERISTAIN, CLIFF DILLER, JAMES STONE & SWEET P., CLUB FUCK was an instant hit.
numerous artists have launched their careers from the weekly club located @ LE BARCITO in silverlake,
(originally called THE BLACK CAT) which has it's own place in history*
the original first family of fuck circa 1989- 1992
featured original dancers-
RON ATHEY
MICHELLE "HELL" CARR
BOBBY WILDFIRE
MARIA BASALDU
CLAYTON "CRYSTAL" CROSS
PIG-PEN
JENNY "CHICKEN" SHIMIZU
MIKE PIERCE
LARRY DISCIPLINE
FRANKIE MACTAVISH
BRIAN MURPHY
DIVINITY FUDGE
MICHELE "BIGLER"
TERRY "KITTEN DEVILLE" GEARY
CHRISTIAN WHITE
original performances by
DRANCE
ETHEL MEATPLOW
PEDRO, MURIEL & ESTER
JOHANNA WENT
BRIAN GRILLO
ALEX BINNIE
ELAYNE ANGEL
CAROL CITRONE
original artists
CATHERINE OPIE
BOB FLANAGAN
SHEREE ROSE
RICK CASTRO
BEN HOFFMAN
DEREK RIDGERS
AUGUST 5TH, 2009 MARKS THE 20TH ANNIVERSARY OF THE ORIGINAL OPENING NIGHT OF CLUB FUCK!
PLEASE JOIN US!
*on january 1st, 1967, the first gay rebellion against the LAPD occurred @ the black cat, TWO YEARS BEFORE stonewall.
JAMES STONE, MICHELLE CARR & RICK CASTRO present
FUCK20TH ANNIVERSARY
the golden years of LA's premiere fetish nightclub
CLUB FUCK!- 1989- 1992
OPENING NIGHT- AUGUST 5TH, 2009
7-10pm
$10 cover
featuring artwork by
RICK CASTRO
DEREK RIDGERS
CAT GWYNN
MARIA BOYD
SHEREE ROSE
RUSS RIDDLE
ELYSE REGHER
PETER PALLADINO
CATHERINE OPIE
JANE MCMANIGILL
and many more!
original club fuck dj- JON MARK
LIVE PERFORMANCE BY
LINDA LESABRE~BEATMISTRESS
exhibit runs thru september 12th, 2009
antebellum
1643 n las palmas ave
hollywood, ca 90028
323 856-0667
www.antebellum.us.ms
antebellum@earthlink.net
dedicated to the memory of
CLIFF DILLER* MIGUEL BERISTAIN, ROBERT WOODS*
@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@
on august 5th, 1989, the club scene in los angeles changed forever.
a group of young kinky queers premiered their new night club dedicated to all things fetish- another cultural movement was born.
hosted by MIGUEL BERISTAIN, CLIFF DILLER, JAMES STONE & SWEET P., CLUB FUCK was an instant hit.
numerous artists have launched their careers from the weekly club located @ LE BARCITO in silverlake,
(originally called THE BLACK CAT) which has it's own place in history*
the original first family of fuck circa 1989- 1992
featured original dancers-
RON ATHEY
MICHELLE "HELL" CARR
BOBBY WILDFIRE
MARIA BASALDU
CLAYTON "CRYSTAL" CROSS
PIG-PEN
JENNY "CHICKEN" SHIMIZU
MIKE PIERCE
LARRY DISCIPLINE
FRANKIE MACTAVISH
BRIAN MURPHY
DIVINITY FUDGE
MICHELE "BIGLER"
TERRY "KITTEN DEVILLE" GEARY
CHRISTIAN WHITE
original performances by
DRANCE
ETHEL MEATPLOW
PEDRO, MURIEL & ESTER
JOHANNA WENT
BRIAN GRILLO
ALEX BINNIE
ELAYNE ANGEL
CAROL CITRONE
original artists
CATHERINE OPIE
BOB FLANAGAN
SHEREE ROSE
RICK CASTRO
BEN HOFFMAN
DEREK RIDGERS
AUGUST 5TH, 2009 MARKS THE 20TH ANNIVERSARY OF THE ORIGINAL OPENING NIGHT OF CLUB FUCK!
PLEASE JOIN US!
*on january 1st, 1967, the first gay rebellion against the LAPD occurred @ the black cat, TWO YEARS BEFORE stonewall.
BITTER MOON
one of my fave films from yesteryear- bitter moon, directed by roman polanski, staring a young hugh grant
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