Showing posts with label film. Show all posts
Showing posts with label film. Show all posts

12/27/21

BUTTERFLY MCQUEEN

one glaring mistake in the remake of MILDRED PIERCE, the new HBO miniseries directed by TODD HAYNES is to make mildred's maid LOTTIE white! the orginal featured the incredible BUTTERFLY MCQUEEN. here is her bio and info about her life- Thelma McQueen attended public school in Augusta, Georgia and graduated from high school in Long Island, New York. She studied dance with Katherine Dunham, Geoffrey Holder, and Janet Collins. She danced with the Venezuela Jones Negro Youth Group. The "Butterfly" stage name, which does describe her constantly moving arms, actually derives from dancing the "Butterfly Ballet" in a 1935 production of "A Midsummer Night's Dream". Her stage debut was in "Brown Sugar," directed by George Abbott for whom she did several other stage shows. In 1939 she appeared as the shop girls' assistant Lulu in The Women (1939) and in her most famous role, the irresponsible, whiny Prissy of Gone with the Wind (1939) ("Oh, Miss Scarlett, I don't know nuthin' 'bout birthin' babies"). Two other notable appearances among her string of silly maid parts were in Flame of Barbary Coast (1945) and Mildred Pierce (1945). From 1947 to 1951, she was a regular on the radio show "Beulah" and then in the TV version 1950-52. In 1980, a Greyhound Bus Lines guard mistook her for a pickpocket and handled her roughly, throwing her against a bench and cracking several of her ribs. She sued for assault, and after several years of litigation, she was awarded $60,000. She chose to live very frugally on the money and retired to a small town outside Augusta, Georgia, where she lived in anonymity in a modest one-bedroom cottage. nature fills our world with love- sung by butterfly mcqueen On the night of Dec. 22, 1995, a fire broke out in her home, and she was found by firefighters lying on the sidewalk outside with severe burns over 70 percent of her body. She said her clothes caught fire while she was trying to light a kerosene heater in her cottage, which was destroyed by the fire. She was taken to Augusta Regional Medical Center, where she died at age 84. "As my ancestors are free from slavery, I am free from the slavery of religion." "Now I am happy I did Gone with the Wind (1939). I wasn't when I was 28, but it's part of black history. You have no idea how hard it is for black actors, but things change, things blossom in time."- butterfly mcqueen kate mcconn- inglewood antebellum corespondent

11/13/19

MRS. BIEDERHOF TEA SALON

 PRESENT 

  MRS. BIEDERHOF TEA SALON   
  NOVEMBER  20TH   
  5PM  
  (SALON ENDS @7PM) 

 CHOOSE PAYMENT OPTION FAMILY/FRIENDS     
    ~ENJOY~                    
       HAND-BLENDED TEA   
               CAKES & DAINTIES  
                           ENGAGING JOVIAL CHATS  
 VIEW KINKY ART   
     RELAX & HAVE A NICE CUPPA        
        HOSTED BY RICK CASTRO
    
    TOM OF FINLAND HOUSE  
   1421 LAVETA TERRACE 
   ECHO PARK, CA 90026   

MAGGIE BIEDERHOF
Is a fictitonal character in the classic film Mildred Pierce, (1946) starring Joan Crawford. She is referred to primarily as Mrs. Biederhof throughout the movie. Actress Lee Patrick portrays the mostly unseen Mrs. Beiderhof.  She is hands down one of the film’s most intriguing characters.  Mrs. Beiderhof appears on the screen for less than five minutes, yet her name and her presence loom large throughout the movie.
Lee Patrick
It is heavily implied throughout the movie that Bert Pierce is having an affair with Mrs. Biederhof.  He never confirms or denies it, yet we are given no evidence of the exact nature of their relationship. Is it a physical affair or an emotional one?  Whatever it is Bert is unwilling to end the relationship.  Mrs. Biederhof spends the bulk of the movie solely as a spoken name.  The one time that we do see her is in an extreme circumstance.  Mildred, Bert, Veda and Kay are all present inside of Mrs. Biederhof’s house due to an emergency situation.


2/20/19

7/3/18

CHECK OUT- RICK CASTRO- SCREENING HUSTLER WHITE @ THE STUDS THEATER- JULY 12TH

HUSTLER WHITE

Studs Theater
7734 Santa Monica Blvd

8:00 PM
An incendiary romp directed by queercore festival darling Bruce La Bruce and fetish photographer Rick Castro, HUSTLER WHITE is an unlikely West Hollywood rehash of SUNSET BOULEVARD, only that strip (and tone) is lowered to Santa Monica, where the hustlers and johns butt heads with the seedy and degenerate local milieu. Starring Madonna’s sultry Justify My Love(r) Tony Ward, co-director La Bruce (in a nod to Kenneth Anger) the film features a coterie of Santa Monica Boulevard regulars and luminaries (like Vaginal Davis, Glen Meadmore, Ron Athey and Divinity Fudge). HUSTLER WHITE is a surprisingly romantic take on lust, exploitation and obsession, with a verité eye trained to the infamous streetwalker strip that once stretched through 1990s West Hollywood.  

Screening at the historic Studs Theatre in West Hollywood, this location opened in 1940 as the Monica theater and became the Pussycat Theater in 1970, the flagship for a 50-location chain of adult theaters clustered around Southern California. Peter Alilunas, professor of media studies at University of Oregon has noted this location is “one of the most important spaces in North America [in the history of adult film] … It’s Smithsonian-level history when it comes to adult theaters.”

Bruce La Bruce & Rick Castro, Hustler White, 16mm on HD video, 79 min, 1996


FOLLOWED BY CHAT/Q&A WITH
 CO- DIRECTOR/WRITER- RICK CASTRO
 & ACTORS- RON ATHEY & GLEN MEADMORE
Curated by Coaxial
$15
PHOTOS- RICK CASTRO

4/9/17

GASLIGHT

Gaslight
 1944 mystery-thriller film, adapted from Patrick Hamilton's 1938 play Gas Light, about a woman whose husband slowly manipulates her into believing that she is going insane. 
The film was nominated for 7 Oscars including Best Picture, Best Actor, & Best Screenplay; 
it won the Academy Awards for Best Actress and Best Production Design.

The psychological term gaslighting, which describes a form of psychological abuse in which the victim is gradually manipulated into doubting his or her own reality, originated from the play and its two film adaptations.
 Gaslighting, today, mostly refers to one of the methods of abuse used by a narcissist to emotionally control a victim, through which the narcissist gains pleasure.

GASLIGHT- 1940- ENGLISH VERSION

2/27/17

AND THE WINNERS ARE........



Best Picture
“Arrival”
”Fences”
”Hacksaw Ridge”
”Hell or High Water”
”Hidden Figures”
”La La Land”
”Lion”
”Manchester by the Sea”
”Moonlight”


Best Director
Denis Villeneuve, “Arrival”
Mel Gibson, “Hacksaw Ridge”
Damien Chazelle, “La La Land”
Kenneth Lonergan, “Manchester by the Sea”
Barry Jenkins, “Moonlight”


Best Actress
Emma Stone, “La La Land”
Natalie Portman, “Jackie”
Ruth Negga, “Loving”
Meryl Streep, “Florence Foster Jenkins”
Isabelle Huppert, “Elle”

Best Actor
Casey Affleck, “Manchester by the Sea”
Andrew Garfield, “Hacksaw Ridge”
Ryan Gosling, “La La Land”
Viggo Mortensen, “Captain Fantastic”
Denzel Washington, “Fences”


Best Supporting Actress
Viola Davis, “Fences”
Naomie Harris, “Moonlight”
Nicole Kidman, “Lion”
Octavia Spencer, “Hidden Figures”
Michelle Williams, “Manchester by the Sea”

Best Supporting Actor
Mahershala Ali, “Moonlight”
Jeff Bridges,”Hell or High Water”
Lucas Hedges, “Manchester by the Sea”
Dev Patel, “Lion”
Michael Shannon, “Nocturnal Animals”

Best Adapted Screenplay
“Arrival”
”Fences”
”Hidden Figures”
”Lion”
”Moonlight”


Best Original Screenplay
“Hell or High Water”
”La La Land”
”The Lobster”
”Manchester by the Sea”
”20th Century Women”

Best Foreign Language Film
“Land of Mine,” Martin Zandvliet, Denmark
”A Man Called Ove,” Hannes Holm,  Sweden
”The Salesman,”  Asghar Farhadi, Iran
”Tanna,” Bentley Dean, Martin Butler, Australia,
”Toni Erdmann,” Maren Ade, Germany


Best Documentary Feature
“Fire at Sea”
“I Am Not Your Negro”
“Life, Animated”
”13th”
“O.J.: Made in America”

Best Animated Feature
“Kubo and the Two Strings”
”Moana”
”My Life as a Zucchini”
”The Red Turtle”
”Zootopia”

Best Film Editing
“Arrival”
”Hacksaw Ridge”
”Hell or High Water”
”La La Land”
”Moonlight”


Best Original Song
“Audition (The Fools Who Dream),” “La La Land”
“Can’t Stop the Feeling,” “Trolls”
“City of Stars,” “La La Land”
“The Empty Chair,” “Jim: The James Foley Story”
“How Far I’ll Go,” “Moana”


Best Original Score
“Jackie”
”La La Land”
”Lion”
”Moonlight”
”Passengers”

Best Cinematography
“Arrival,” Bradford Young
”La La Land,” Linus Sandgren
”Silence,” Rodrigo Prieto
”Lion,” Grieg Fraser
”Moonlight,” James Laxton


Best Costume Design
“Allied”
”Fantastic Beasts and Where to Find Them”
”Florence Foster Jenkins”
”Jackie”
”La La Land”  


Best Makeup and Hairstyling
“A Man Called Ove”
”Star Trek Beyond”
”Suicide Squad”


Best Production Design
“Arrival”
”Fantastic Beasts and Where to Find Them”
”Hail, Caesar!”
”La La Land”
”Passengers”


Best Sound Editing
“Arrival”
”Deepwater Horizon”
”Hacksaw Ridge”
”La La Land”
”Sully”


Best Sound Mixing
 “Arrival”
”Hacksaw Ridge”
”La La Land”
”Rogue One”
”13  Hours”


Best Visual Effects
“Rogue One”
”The Jungle Book”
”Doctor Strange”
”Deepwater Horizon”
”Kubo and the Two Strings”


Best Short Film, Live Action
“Ennemis Intérieurs”
”La Femme et le TGV”
”Silent Nights”
”Sing”
”Timecode”


Best Short Film, Animated
“Blind Vaysha”
”Borrowed Time”
”Pear Cider and Cigarettes”
”Pearl”
”Piper”


Best Documentary, Short Subject
“Extremis”
”4.1 Miles”
”Joe’s Violin”
”Watani: My Homeland”
”The White Helmets” 

11/23/16

MIKE SKIFF- RIP



My friend, my brother.... I am so sorry to say that leatherman, film maker and one of my best friends - MIKE SKIFF - lost his long battle with throat cancer last night in LA.
 Fortunate to have been able to spend a few days with him and his partner, Tony McEwing recently. 
Mike was such a special and caring person. To his benefit, Tony was there for all his needs despite his own situation. Mike was a dedicated film maker who's "Kink Crusaders" and "Folsom Forever" will keep his talents alive. Mike produced several years of IML's official videos.
 God speed, Mike. You put up a valiant fight. Guys.... 
Mike spent his last year trying to let you know about HPV related cancers. Get tested! 
Know your health because our med professionals often don't. 
Tony, our thoughts are with you ... love.


Ron Ehemann with Mike Skiff.


 MIKE SKIFF WAS A TRUE DOCO FILMMAKER-
 HE CREATED WHAT HE BELIEVED IN- MIKE WAS ALWAYS SUPPORTIVE OF ANTEBELLUM GALLERY-
 HE CO- PRODUCED OUR ANNUAL FETISH FILM FESTIVAL- 
MIKE  WAS CREATIVE, TALENTED, A MOVER & SHAKER. 
HE WILL ALWAYS BE REMEMBERED -
 RIP- MY  LEATHER BROTHER- RIP

11/2/16

MOONLIGHT



"in the moonlight black boys look blue"

MOONLIGHT is a small film with a huge message.
I sometimes get these feelings about films even before I see them, that they're destined to greatness.
moonlight is an immediate modern day classic. it will go down in cinematic history as being the first of its genre.  Not that films about black gay youth have not been seen. it's been done before. not that films about coming out haven't been created. Numerous films including Brokeback Moutain have done so.  The much needed genre of Moonlight- that of a coming of age romance of a black gay male follows the classic storytelling formula,  but it is all new. 



Moonlight is groundbreaking in that it gives voice to the minority in a way the majority cannot deny. What Brokeback Mountain, My Beautiful Laundurette and numerous films could'nt attain was mainstream acceptance. The time was not yet there.   
This time mainstream will get it... and they will love it.
BTW- Moonlight is easily the best film of 2016.




Moonlight seems familiar because for many of us, that was our childhood, that was our adolescents,  that was our inner-conflict, that was our coming of age story.
I cried three times.
 Impacted by what I saw- I went next door in the generic movie complex and watched the remaining screening of GIRL ON A TRAIN, ( which I don't recommend) then came back and watched a second screening of Moonlighting. Once again I cried in those same three scenes.





The cinematography is beautiful by James Laxton. the writing is beautiful by Tarell McCraney, 
the score is beautiful by Nicholas Brittel,  the directing is beautiful by Barry Jenkins and the acting... 
can we talk about the acting!
There are so many great performances. As a whole all the cast is excellent.
Naomie Harris as Paula- the mother will win an oscar. 
Aston Sanderson as teen-age Chiron will win an oscar- he has to at least be nominated.
Mahershala Ali as Juan- the drug dealing father figure is excellent. 
I also loved him in House of Cards.
Jharrel Jerome -as Kevin age 16- is excellent.
Trevante Rhodes as the adult "Black" is excellent.
 Andre Holland as the adult Kevin is excellent. 
The last scene- between them is so honest, it's enough to make the most jaded of us give love another chance.





MOONLIGHT, (2016)

Directed by 

Barry Jenkins

Writing Credits  

Barry Jenkins...(screenplay)
Tarell McCraney...(story by) (as Tarell Alvin McCraney)

Cast 

Mahershala Ali...
Juan 
Shariff Earp...
Terrence 
Duan Sanderson...
Azu (as Duan 'Sandy' Sanderson)
Alex R. Hibbert...
Little (as Alex Hibbert)
Janelle Monáe...
Teresa 
Naomie Harris...
Jaden Piner...
Herman 'Caheei McGloun...
Longshoreman 
Kamal Ani-Bellow...
Portable Boy 1 
Keomi Givens...
Portable Boy 2 
Eddie Blanchard...
Portable Boy 3 
Rudi Goblen...
Gee 
Ashton Sanders...
Chiron 
Edson Jean...
Mr. Pierce 
Patrick Decile...
Terrel 
Herveline Moncion...
Samantha 
Jharrel Jerome...
Fransley Hyppolite...
Pizzo 
Jesus Mitchell...
Old School Guard 
Larry Anderson...
Antwon 
Tanisha Cidel...
Principal Williams 
Trevante Rhodes...
Black 
Stephon Bron...
Travis 
André Holland...
Don Seward...
Tip 

Justin Ebenhack...
Gang Member (uncredited)
Produced by 
Sarah Esberg...executive producer 
Dede Gardner...producer 
Andrew Hevia...co-producer 
Jeremy Kleiner...producer 
Tarell McCraney...executive producer (as Tarell Alvin McCraney) 
John Montague...associate producer 
Veronica Nickel...co-producer 
Brad Pitt...executive producer 
Adele Romanski...producer 

Music by 

Nicholas Britell

Cinematography by 

James Laxton

Film Editing by 

Joi McMillon

Nat Sanders

Casting By 

Yesi Ramirez

Production Design by 

Hannah Beachler

Art Direction by 

Mabel Barba

Set Decoration by 

Regina McLarney...(as Regina McLarney Crowley) 

Costume Design by 

Caroline Eselin...(as Caroline Eselin-Schaefer) 

Makeup Department 

Doniella Davy...makeup department head 
Gianna Sparacino...head hair 

Production Management 

Jennifer Radzikowski...unit production manager 

Second Unit Director or Assistant Director 

Roger Mendoza...second assistant director 

Art Department 

Yvonne Aja...assistant property master 
Robert Crowley...additional lead man (as Robert P. Crowley) 
Ryan Crowley...additional lead man 
Clark Grimes...assistant property master 
Becca Kenyon...property master 
Jeremy Koenig...lead man 
Keiter Liriano...art department intern 

Sound Department 

Joshua Adeniji...supervising sound editor 
Julio Alvarez...boom operator 
Christopher Bonis...sound effects editor 
Ryan Briley...adr & dialogue editor 
Micaela Cain...foley mixer 
Benjamin Gieschen...foley editor 
Chris Giles...sound mixer 
James Parnell...assistant sound editor 

Visual Effects by 

Betty Cameron...visual effects artist 
Dirk Greene...visual effects artist 
Alek Rost...visual effects producer 

Camera and Electrical Department 

James Baldanza...steadicam 
David Bornfriend...still photographer 
Libor Cevelik...steadicam operator: day player 
Jean Daguillard...grip 
Joseph B. Dare...camera operator 
Andy Futo...best boy 
John Galindez...best boy grip 
Kiva Knight...gaffer 
David Lanes...key grip 
Rusty Pouch...rigging gaffer 
Stéphane Renard...first assistant camera 
Adam Roback...electrician 
Giovanni Rodriguez...grip 
Fabricio Sacknies...grip 
Anthony Schrader...key grip 
Osvaldo Silvera Jr....steadicam operator 
Billy Wells...second assistant camera 

Casting Department 

Madeleine Escarne...background casting assistant 
Monica Sorelle...background casting 

Costume and Wardrobe Department 

Waiana Chancy...costumer 
Lisa Jamouzian...costumer 
Fernando Rodriguez...wardrobe supervisor 

Editorial Department 

Alex Bickel...digital intermediate colorist 
Claudia Guevara...digital intermediate producer 
Daniel Orentlicher...digital intermediate assist 

Music Department 

Nicholas Britell...musician: piano / orchestrator / score produced by 
John Finklea...music consultant 
Marguerite Phillips...music supervisor (as Maggie Phillips) 
Thomas Vicari...Music Scoring Mixer 

Other crew 


Bryan Angarita...production assistant 
Dominique N. Butler...insurance broker 
Kristina Chiu...production counsel 
Robert Colom...production assistant 
André Des Rochers...production counsel 
Pedro M. Guillen...production coordinator 
Debbi L. Klopman...immigration legal 
Nicole Wulf Maldonado...intern 
Dawn McLeod...craft service 
Sebastian Pardo...title design 
Linda Pilgrim...craft service 
Laura Pinto...additional script supervisor 
John Portnoy...production services 
Danniel Rodriguez...assistant: Barry Jenkins / production assistant 
Matthew Romanski...production assistant 
Anita Surendran...production counsel 
Melinda Taksen...script supervisor 
Melinda Tasken...script supervisor 
Nick Thurlow...production services 
Todd Williams...production services