Laird Cregar, a fan of the original novel, encouraged 20th Century Fox to buy the film rights. Fox relented, but wanted to recreate the success they had enjoyed with The Lodger the previous year and made several changes to the story, including the main character's personality and the setting. Cregar, George Sanders and John Brahm, who had all worked together in The Lodger, were announced as working on the film.
Cregar, who had ambitions of being a leading man and was worried that he would always be cast as a villain, refused the role and was put on suspension. Glenn Langan was announced as his replacement.
However, Cregar realized he could use his romantic scenes with Linda Darnell and Faye Marlowe to his advantage in order to change his public image into a more romantic one. He thus accepted the role, but began a radical crash diet to give his character more physical appeal.
The film had to be shot entirely in sequence so as to be consistent with Cregar's real life weight loss.
This frustrated director John Brahm, who frequently clashed with Cregar over how the film should be handled. Cregar, a real-life musician, was eager to perform the musical pieces on his own; however, Brahm insisted that Cregar mime. Cregar used amphetamines to aid his rapid weight loss which led to erratic behavior on his part. Brahm lost patience with Cregar and forced the entire cast and crew to sign a document stating they were on Brahm's side and not Cregar's in order to humiliate him into submission.
When the filming had ended, Cregar told Brahm: "Well, I think we've worked together long enough to know we never want to work together again."
George Sanders also brought complications. Having been put on suspension the previous year for refusing to perform in The Undying Monster, George accepted the role of Dr. Allan Middleton. However, he was unhappy with his script, particularly the final line in the film, which required him to justify the death of George Harvey Bone by saying, "He's better off this way." When shooting the scene, which was very expensive to film, George repeatedly refused to say the line. He later got into an altercation with the film's producer, Robert Bassler, which ended in George punching Bassler. The line was later changed to, "It's better this way."
American composer Stephen Sondheim has cited Herrmann's score for Hangover Square as a major influence on his musical Sweeney Todd
and the story's familiarity breeds an aftertaste of inevitability and doom.
The hallucinogenic nature of the proceedings is accented with Preminger's direction and camerawork, having actors drift from foreground to background or having the camera track to fluid and suffocating close-ups. Preminger, ever the mesmerizer, weaves his style into a half-dreamt haze of nightmare."
It was also named by critic Robin Wood as one of his top 10 films, shortly before his death.
In 1963, Jean-Luc Godard named it the 8th best American Sound film
IT'S THE TIME OF THE YEAR WHEN THE VEILS OF OTHER DIMENSIONS ARE THIN.
THUS CREATING THE BEST COMMUNICATION OF THE WORLD OF
"REALITY" AND THE WORLD OF SPIRIT & DREAMS.
OTHERWORLDLY: A time to relate to, resembling that of a world other than the actual world.
a time to devote. to preparing for a world to comea time to devote to intellectual & imaginative pursuits.the artists for "otherworldly noir" express their dreamsRICK CASTRO- CURATOR
IT'S THE TIME OF THE YEAR WHEN THE VEILS OF OTHER DIMENSIONS ARE THIN.
THUS CREATING THE BEST COMMUNICATION OF THE WORLD OF
"REALITY" AND THE WORLD OF SPIRIT & DREAMS.
OTHERWORLDLY:
A time to relate to, resembling that of a world other than the actual world. a time to devote. to preparing for a world to comea time to devote to intellectual & imaginative pursuits.the artists for "otherworldly noir" express their dreamsRICK CASTRO- CURATOR