6/24/11

MEEK'S CUTOFF


The Meek Cutoff was a covered wagon road that branched off the Oregon Trail in northeastern Oregon.
First used in 1845, the road is named for frontiersman Stephen Meek, who was hired to lead the first wagon train along it.
The journey was a particularly hard one, and many of the pioneers lost their lives.

In 1845 there were rumors circulating among the emigrants on the Oregon Trail that the Walla Walla and Cayuse Indians might possibly attack the settlers in the Blue Mountains of Oregon or along the Columbia River.
Stephen Meek, the older brother of Joe Meek, was an experienced fur trapper and explorer who made his living as a wagon train guide. Meek was unemployed at the time but was considered to be someone who was familiar with eastern Oregon.

In order to reach a ridge west of the North Fork of the Malheur River, the emigrants were forced to climb a steep, narrow ravine choked with boulders. One emigrant wrote about moving “ten thousand stones” in order to make a roadbed. A number of wagons were damaged during the 1,000 foot climb.


Meek continued southwest and led the wagon train into the Harney Basin to Wagontire Mountain, in a region known today as the Oregon High Desert. Wagontire Mountain received this name from later settlers because a wagon tire was found there. Here the emigrants camped by the Lost Hollow Spring. There was water but not an ample supply for the emigrants and all their livestock. As emigrants further back in the train continued to arrive, circumstances in the camp became desperate. Water quickly became scarce and many ran out of their staple supplies. In a weakened condition, the travellers became sick. Mountain Fever and other ailments began to overcome large numbers, especially the children and elders.

During this period of the journey - while emigrants were driving their livestock throughout the night to water – the John Herren family reportedly found some gold nuggets, which led to the legend of the Lost Blue Bucket Mine. The name came from the story later circulated by some of the emigrants. The Herrens reported that if they had remained at their campsite they could have filled a blue bucket with gold nuggets. This place has never been found, but if it exists it is thought by some to be between Wagontire Mountain and the south fork of the Crooked River.


The deaths and other circumstances led some to seek Meek's life at various times along the way. Anger towards Meek led to the often used phrase “Meek deserted them in the desert.” There are conflicting stories of a lynching attempt.
But Meek did stay with his emigrants throughout most of the journey.
The Meek Cutoff is one of sixteen historic trails recognized by the State of Oregon.
The blazing of the Meek Cutoff led to later wagon roads and the settlement of the eastern and central regions of Oregon.


This story of american pioneers has been made into a film by director Kelly Reichardt.
it is the best film i've seen so far in 2011.
subtle & quiet, still packs a punch of introspection.
beautifully shot by Chris Blauveltin a reminiscent style of terrence malick's days of heaven.

MEEK'S CUTOFF, (2010)

Directed by Kelly Reichardt
Produced by Elizabeth Cuthrell
Neil Kopp, Anish Savjani
David Urrutia
Written by Jonathan Raymond
Starring Michelle Williams
Paul Dano
Bruce Greenwood
Shirley Henderson
Neal Huff
Zoe Kazan
Tommy Nelson
Will Patton
Music by Jeff Grace
Cinematography Chris Blauvelt
Editing by Kelly Reichardt
Studio Evenstar Films
Distributed by Oscilloscope Pictures
Release date(s) September 4, 2010 (Venice)
April 8, 2011 (United States)
Running time 104 minutes
Country United States

MOTHER FUCKER


EMBED-Teaching A Chinese Grandmother To Curse In English - Watch more free videos

TEACH THEM YOUNG

HOMOSEXUAL HAIRCUT



IT'S THE ECONOMY STOOPID


DO YOU AGREE WITH THIS SCENARIO?

THE FUTURE IS NOW

my very longtime friend-
RICK OWENS- MENSWEAR-SPRING/SUMMER 2012





6/23/11

RESPIGHI THE ROMAN TRILOGY~ LA FURA


A pupil of Rimsky-Korsakov and follower of current recovered neoclassical Italian tradition of Gregorian chant, Palestrina and Monteverdi, Respighi also feel genuine fascination with the colorful music of Wagner and his disciples. It was proposed to synthesize in a unique style of contemporary influences such as Richard Strauss and the French Impressionists with the Italian tradition. The Roman Trilogy brings together three of the works in which he managed to take a personal language, imaginative and immensely exciting, the most brilliant and timeless.

Idea: Valentin Prozinsky
Conductor: Georges Prêtre
Artistic direction: Carlus Padrissa. La Fura dels Baus
Video direction: Emmanuel Carlier
dancers: Tránsit company. Maria Rovira
Productor: David Pascual , Angel Dominguez ( Elsinor )

posting- luizo vega- solider to rick castro/ barcelona/antebellm corespondent

BROTHERS OF ARCADIA


mugler menswear- spring/summer- 2012 has posted their new video on XTUBE. I'm posting this not because it's an extrodinay video, (a rehash of herb ritts, versace, commercial pasolini etc) but because they choose a gay/xrated forum to present their mainsream commercial.. very, very clever.
CHECK IT OUT HERE- XTUBE.COM/MUGLER

EGON SCHIELE



EGON SCHIELE- ( June 12, 1890 – October 31, 1918)
was an Austrian painter. A protégé of Gustav Klimt, Schiele was a major figurative painter of the early 20th century.
His work is noted for its intensity, and the many self-portraits the artist produced.

Schiele was born in Tulln on the Danube. His father, Adolph Schiele, worked for the Austrian State Railways as a station master; his mother, Marie Soukup(ová), was from Krumau, in Bohemia.

When Schiele was 15 years old, his father died from syphilis, and he became a ward of his maternal uncle, Leopold Czihaczec, who became distressed by Schiele's lack of interest in academic studies, yet recognized his passion and talent for art. In 1906 Schiele applied at the Kunstgewerbeschule (School of Arts and Crafts) in Vienna, where Gustav Klimt had once studied. Within his first year there, Schiele was sent, at the insistence of several faculty members, to the more traditional Akademie der Bildenden Künste in Vienna in 1906.

In 1907, Schiele sought out Gustav Klimt. Klimt generously mentored younger artists, and he took a particular interest in the gifted young Schiele, buying his drawings, offering to exchange them for some of his own, arranging models for him and introducing him to potential patrons. He also introduced Schiele to the Wiener Werkstätte, the arts and crafts workshop connected with the Secession. In 1908 Schiele had his first exhibition, in Klosterneuburg.

Klimt invited Schiele to exhibit some of his work at the 1909 Vienna Kunstschau, where he encountered the work of Edvard Munch, Jan Toorop, and Vincent van Gogh among others. Once free of the constraints of the Academy's conventions, Schiele began to explore not only the human form, but also human sexuality. At the time, many found the explicitness of his works disturbing.

Some view Schiele's work as being grotesque, erotic, pornographic, or disturbing, focusing on sex, death, and discovery. He focused on portraits of others as well as himself. In his later years, while he still worked often with nudes, they were done in a more realist fashion. He also painted tributes to Van Gogh's Sunflowers as well as landscapes and still lifes.


In 1911, Schiele met the seventeen-year-old Valerie (Wally) Neuzil, who lived with him in Vienna and served as model for some of his most striking paintings. Very little is known of her, except that she had previously modelled for Gustav Klimt and might have been one of his mistresses. Schiele and Wally wanted to escape what they perceived as the claustrophobic Viennese milieu, and went to the small town of Český Krumlov (Krumau) in southern Bohemia. Krumau was the birthplace of Schiele's mother; today it is the site of a museum dedicated to Schiele. Despite Schiele's family connections in Krumau, he and his lover were driven out of the town by the residents, who strongly disapproved of their lifestyle, including his alleged employment of the town's teenage girls as models.


Together they moved to Neulengbach, 35 km west of Vienna, seeking inspirational surroundings and an inexpensive studio in which to work. As it was in the capital, Schiele's studio became a gathering place for Neulengbach's delinquent children. Schiele's way of life aroused much animosity among the town's inhabitants, and in April 1912 he was arrested for seducing a young girl below the age of consent.

When they came to his studio to place him under arrest, the police seized more than a hundred drawings which they considered pornographic. Schiele was imprisoned while awaiting his trial. When his case was brought before a judge, the charges of seduction and abduction were dropped, but the artist was found guilty of exhibiting erotic drawings in a place accessible to children. In court, the judge burned one of the offending drawings over a candle flame. The twenty-one days he had already spent in custody were taken into account, and he was sentenced to only three days' imprisonment. While in prison, Schiele created a series of 12 paintings depicting the difficulties and discomfort of being locked in a jail-cell.


In 1914, Schiele glimpsed the sisters Edith and Adéle Harms, who lived with their parents across the street from his studio in the Viennese suburb of Hietzing, 101 Hietzinger Hauptstrasse. They were a middle-class family and Protestant by faith; their father was a master locksmith.

In 1915, Schiele chose to marry the more socially acceptable Edith, but had apparently expected to maintain a relationship with Wally. However, when he explained the situation to Wally, she left him immediately and never saw him again. This abandonment led him to paint Death and the Maiden, where Wally's portrait is based on a previous pairing, but Schiele's is newly struck.

In the autumn of 1918, the Spanish flu epidemic that claimed more than 20,000,000 lives in Europe reached Vienna. Edith, who was six months pregnant, succumbed to the disease on 28 October. Schiele died only three days after his wife.
He was 28 years old. During the three days between their deaths, Schiele drew a few sketches of Edith; these were his last works

6/21/11

RICK CASTRO IS A STARRFUCKER


check out my cover for the new issue of STARRFUCKER
available pre-order @ antebellum~ $11.00
antebellum@earthlink.net

CELEBRATE SUMMER SOLSTICE @ ANTEBELLUM



Today, June 21, is the SUMMER SOLSTICE in the Northern Hemisphere, which means it's the longest day of the year in 2011.

The summer solstice occurs when the sun is the farthest north in the sky, directly above the Tropic of Cancer.
The exact moment of the solstice today will occur at 1:16 p.m. ET.

While some consider the summer solstice as the beginning of summer, many actually regard it as midsummer, though the definition varies between different regions and cultures.


PLEASE JOIN US @ ANTEBELLUM FOR THE~
FIRST DAY OF SUMMER MUSIC FESTIVAL

7PM TIL 10PMISH

LIVE PERFORMANCES BY

PROF. PITT
DUDLEY SAUNDERS
GARLAND
JOSE PROMIS
JOHN CARPENTER

$10 DONATION TO ANTEBELLUM

COMPLIMENTARY TEA & SWEETIES WILL BE SERVED

NO-HOST BAR

ANTEBELLUM
1643 N LAS PALMAS AVE
HOLLYWOOD, CA 90028
323 856-0667
antebellum@earthlink.net

6/20/11

COSTUME HOMME






photos courtesy- Desi Santiago- nyc/antebellum corespondent

THE BEST QUOTE

" HOW GAY AM I? ON A SCALE FROM ONE TO TEN,
I'M A JUDY GARLAND,FUCKING FORTY-TWO!"

LADY GAGA- JUNE 11TH, 2011

SEX BOMB

SPRINGTIME FOR MUGLER


check out the mugler show- spring/summer 2012- wednesday 6pm @muglerlive
photo courtesy- branislav jankic- posting- nicola formachetti

TUESDAY IS THE FIRST DAY OF SUMMER!



PLEASEE JOIN US FOR CELEBRATION OF~
THE FIRST DAY OF SUMMER~
MUSIC FESTIVAL


JUNE 21ST

7PM TIL 10PMISH

LIVE PERFORMANCES BY

GARLAND
PROF. PITT
JOSE PROMIS
JOHN CARPENTER
DUDLEY SAUNDERS

COMPLEMENTARY TEA & SWEETIES~
SERVED IN THE GALLERY TEA GARDEN
NO-HOST BAR

$10 DONATION TO ANTEBELLUM GALLERY


june 21st is also national nudist day... take your clothes off @ antebellum!

21ST CENTURY RACIST

6/19/11

FATHER'S DAY @ TOM'S BAR

what a great afternoon with all me boys & men!

ANTEBELLUM BOOTH @ TOM'S BAR- photo courtesy- miguel reyes- los angeles/antebellum corespondent

FATHER'S DAY


(tom of finland-circa- 1980)

if you wanna meet your DADDY, come check me out today-
SUNDAY-FATHER'S DAY @ TOM'S BAR @ THE FAULTLINE.

I will have my RICK CASTRO- artist booth....

Faultline Bar
4216 Melrose Avenue
90029
2pm til 7pm- $10

and in honor of FATHER'S DAY and my real daddy- AL CASTRO.
i am dedicating this posting to him.
although he will never see it, ( he doesn't know how to use a computer)
and would probably not like it.
my dad will be the ripe old age of 90 this december. if you make it to that age,
and have gone thru all the stuff we've gone thru as a family, parent and father,
you deserve ALL dedications and tributes no matter how small...
so i say to you AL... HAPPY FATHER'S DAY!


MY PARENTS~ AL & BEE- circa- 1942