Showing posts with label PARIS. Show all posts
Showing posts with label PARIS. Show all posts

2/18/19

CHECK OUT RICK CASTRO- HOMOSURREALISM- PARIS

*** ONE NIGHT ONLY ***
 Don't miss Homosurrealism Paris 2019,
 a collective exhibition of international artists co-organize with Emmanuel Barrouyer, 
polish artist Piotr Mariusz Urbaniak and presented by Jack Sanders (International Founder / USA). 

Friday, February 22th from 19 pm, at the bar Les Souffleurs. 
33 international artists will present their work!
 Come many 💋
  Photo 'Sacred Heart', © Emmanuel Barrouyer, 2018  
 — at Les Souffleurs.

1/18/18

RICK OWENS- FW2018- SISYPHUS


THIS FALL /WINTER COLLECTION IS TITLED SISYPHUS AFTER THE ARROGANT KING IN GREEK MYTHOLOGY WHO WAS PUNISHED BY ZEUS TO ETERNALLY ROLL A BOULDER UP A HILL ONLY TO HAVE IT ROLL BACK DOWN, OVER AND OVER AGAIN, FOREVER. IT’S DRAINING TO WATCH UNHEALTHY CYCLES REPEAT THEMSELVES, BEHAVIOURALLY AND HISTORICALLY, AND EVERY ONCE IN A WHILE, IT’S HARD TO SUPRESS A HOWL OF RAGE. IF WE HAVEN’T LEARNED BETTER BY NOW, AFTER ALLLLL THIS TIME, DOES THIS MEAN UNHEALTHY CYCLES AND BASE URGES ARE AN INTEGRAL PART OF THE HUMAN CONDITION? AND IF THEY ARE INTEGRAL, DOES THAT MEAN THEY HAVE SOME KIND OF HORRIBLE VALUE? RENDING ONE’S CLOTHES IN ANGER HAS A DRAMATICALLY BIBLICAL SOUND — HERE THESE CLOTHES ARE RENT IN A BIT MORE OF A DELIBERATE AND PERHAPS FATALISTIC WAY. DOUBLE KNIT TUNICS IN MERCERIZED COTTON FACED WITH CASHMERE WE REFER TO AS ‘CASHBOARD’ ARE SLIT AND SLASHED TO HANG AND GAPE AROUND THE BODY... OR CUT IN THIN AND CRISP WRAPPED JACKETS THAT CAN BE USED AS LAYERS UNDER COATS. HAPHAZARD CARGO CHAPS ARE CUT IN CAMEL HAIR FLANNEL TO MATCH HIGH WAISTED PANTS CUT WITH A CUMMERBUND SILHOUETTE... AND RAW DARK DENIM JEANS HAVE BEEN CHOPPED INTO JAGGED SKIRTS. COATS AND SHOES ARE CONSTRUCTED IN A PLASTIC SHEARLING THAT TRAILS LOOSE FILAMENTS IN AN OUT-OF-CONTROL HAZE AND SOME COATS HAVE BEEN HAND-PAINTED IN ROUGH THICK BRUSHSTROKES. CHAINS CAN SUGGEST SUBORDINATION BUT THEY CAN ALSO REPRESENT LINKED STRENGTH. HERE THEY ARE DRAPED AND WRAPPED AROUND THE BODY AS STRAPS ON THE SIMPLEST OF RAW CUT PORTFOLIO ZIPPED BAGS IN SOFT SUEDE OR RIGID COWHIDE. FLAGS CAN BE ABOUT UNITY AND PRIDE BUT ALSO DIVISIVENESS... HERE THEY ARE RENDERED AS CAPED PANELS FLOATING OUTWARDS AT THE BACK OF LONG COATS IN SOMBRE WOOL FELTS AND NYLON DUCHESSE. THE SOUNDTRACK IS A REMIX OF ‘ENERGIZE’ BY DJ SPEEDLAP, THE KIND OF 90S TERROR TECHNO I LISTEN TO EVERY DAY AS A SAFETY VALVE TO RELEASE THE IMPATIENCE AND FRUSTRATION THAT ARE THE PERSONAL CYCLES I CAN’T SEEM TO CONTROL, NO MATTER HOW MUCH I SHOULD HAVE LEARNED BETTER TO BY NOW. IF, AFTER ALL MY EFFORTS, I HAVEN’T FOUND A WAY TO ERASE THEM, DOES THAT MEAN THEY SERVE SOME KIND OF PURPOSE? MAKEUP MAC COSMETICS AND SAMMY MOURABIT HAIR DUFFY (STREETERS) PRODUCTION LA MODE EN IMAGES MUSIC ‘ENERGIZE’ BY DJ SPEEDLAP (REMIXED BY JEFF JUDD)

7/31/17

JEANNE MOREAU: LEGEND


Jeanne Moreau
 23 January 1928 – 31 July 2017) 
 French actress, singer, screenwriter and director. 
the BAFTA Award for Best Foreign Actress for Viva Maria! (1965), and the 
She has also been the recipient of several lifetime awards, including a BAFTA Fellowship in 1996.
Moreau made her theatrical debut in 1947, and established herself as one of the leading actresses of the Comédie-Française. She began playing small roles in films in 1949, impressing in a Fernandel vehicle Meutres? (Three Sinners, 1950), and alongside Jean Gabin as a showgirl/gangster's moll in the film Touchez Pas au Grisbi (1954). She achieved prominence as the star of Elevator to the Gallows (1958), directed by Louis Malle, and Jules et Jim (1962), directed by François Truffaut
Moreau went on to work with many of the best known New Wave and avant-garde directors. François Truffaut's New Wave film Jules et Jim (1962), her biggest success internationally, is centred on her magnetic starring role. She also worked with a number of other notable directors such as Michelangelo Antonioni (La notte and Beyond the Clouds), Orson Welles (The TrialChimes at Midnight and The Immortal Story), Luis Buñuel (Diary of a Chambermaid), Elia Kazan (The Last Tycoon), Rainer Werner Fassbinder(Querelle), Wim Wenders (Until the End of the World), Carl Foreman (Champion and The Victors), and Manoel de Oliveira (Gebo et l'Ombre).
In 1983, she was head of the jury at the 33rd Berlin International Film Festival.
 In 2005, she was awarded with the Stanislavsky Award at the 27th Moscow International Film Festival.
Throughout her life, Moreau maintained friendships with prominent writers such as Jean CocteauJean GenetHenry Miller and Marguerite Duras (an interview with Moreau is included in Duras's book Outside: Selected Writings). She was formerly married to Jean-Louis Richard(1949–1964) and then to American film director William Friedkin (1977–1979). Director Tony Richardson left his wife, Vanessa Redgrave, for her in 1967 but they never married. She also had affairs with directors Louis Malle and François Truffaut, fashion designer Pierre Cardin, jazz trumpeter Miles Davis and Theodoros Roubanis, the Greek actor/playboy.
 Orson Welles called her "the greatest actress in the world", 
and she remained one of France's most accomplished actresses.
Moreau died on 31 July 2017, at the age of 89

4/1/17

THE LEGEND OF VIOLETTE MORRIS

Violette Morris was a cross-dressing lesbian who went from celebrity athlete to
 “Hyena of the Gestapo.”

10/15/16

CAFE DE FLORE

Café de Flore was opened in the 1880s, during the French Third Republic
The name is taken from a sculpture of Flora, the goddess of flowers and the season of spring in Roman mythology, located on the opposite side of the boulevard. 
Authors Joris-Karl Huysmansand and Remy de Gourmont were two of the first well-known regulars.


 In the late 19th century, Charles Maurras wrote his book Au signe de Flore on the café's first floor, where in 1899 the Revue d'Action Française was also founded.


Café de Flore became a popular hub of famous writers and philosophers. 
Georges BatailleRobert DesnosLéon-Paul FargueRaymond Queneau were all regulars, and so was Pablo PicassoChinese Premier Zhou Enlai was known to be a frequent patron of Café de Flore during his years in France in the 1920s.
writer Jean Genet pissed in the latrine of Cafe de Flore.


 The classic Art Deco interior of all red seating, mahogany and mirrors has changed little since World War II.





Like its main rival, Les Deux Magots, it has hosted most of the French intellectuals during the post-war years. In his essay "A Tale of Two Cafes" and his book Paris to the Moon, American writer Adam Gopnik mused over the possible explanations of why the Flore had become, by the late 1990s, much more fashionable and popular than Les Deux Magots, despite the fact that the latter café was associated with Jean-Paul SartreSimone de BeauvoirAlbert Camus, and other famous thinkers of the 1940s and 1950s.


The Prix de Flore, a literary prize inaugurated by Frédéric Beigbeder in 1994,
 is awarded annually at the Café de Flore.





 The Café de Flore offers a wide menu range, from teas, coffees, hot chocolates, to alcoholic drinks and juices; from snacks to full meals, including toast and croissants, omelettes, salads, soups and desserts. The nearest underground station is Saint-Germain-des-Prés, served by line 4 of Paris Métro.
The coffeehouse still remains a popular hang-out spot for celebrities 
and its status attracts numerous tourists.