the film is an account of the relationship between british royalty king edward VIII and american wallis simpson- 1930 thru 1972.
at the same time focuses on a contemporary woman living in nyc-
wally winthrop- who becomes obsessed with their royal love story during the sothebys auction of the estate during 1998.
the film is directed by MADONNA. apparently it was panned in cannes earlier this year and had received
very negative reviews @ film festivals in europe and the UK in particular.
this may be because of the "fetish" brits have about the royals in general and the denial- love &hate of this relationship in particular. it really brings up allot of bad memories to brits... (supposed nazi sympathizers and all).
they are even some accounts that edward married wallis as his "beard." madonna does not address this. maybe she should've!
perhaps in the USA people will be more forgiving since the general public doesn't know as much about this historic relationship.
as a director MADONNA has created a purely visual film. aesthetics seem to be what is important. as a filmmaker some scenes are clumsy and difficult to follow.
many new directors make this mistake. they put too much in @ one time.
she does take risks using a back & forth vintage to modern narrative to tell this story...
this doesn't always work.
of course madonna can do whatever she wants so the success of this film is guaranteed.
i do notice that all films madonna is a part of seem to have men violent against women...
humm....... i wonder?
the part of the film i enjoyed the most is the modern day relationship between the contemporary character
wally winthrop and a russian-emigrant sothebys guard- evgeni, (played by oscar lsaac).
somehow i found him to be the soul of the film, presenting perhaps what madonna does best as a director-
tells a love story. it is the true fairy tale, and in real life would never happen.. in a million years.
the acting is good, but the real star of the film are the costumes designed by longtime costumer for madonna-
ARIANNE PHILLIPS. some of the key wardrobe was on display in the lobby.
as stylish as this film is ultimately the plot comes off as false. to quote another famous brit~
"much ado about nothing."
W./E.
Directed by | |||
Madonna | |||
Writing by | ||
Alek Keshishian | screenplay | |
Madonna | screenplay |
Cast
Abbie Cornish | ... | Wally Winthrop | |
Andrea Riseborough | ... | Wallis Simpson | |
James D'Arcy | ... | Edward | |
Oscar Isaac | ... | Evgeni | |
Richard Coyle | ... | William Winthrop | |
David Harbour | ... | Ernest | |
James Fox | ... | King George V | |
Judy Parfitt | ... | Queen Mary | |
Haluk Bilginer | ... | Al Fayed |
Produced by | |||
Scott Franklin | .... | executive producer | |
Donna Gigliotti | .... | executive producer | |
Kris Thykier | .... | producer | |
Colin Vaines | .... | producer | |
Nigel Wooll | .... | executive producer | |
Sara Zambreno | .... | co-producer | |
Original Music by | |||
Abel Korzeniowski | |||
Cinematography by | ||
Hagen Bogdanski | (director of photography) |
Art Direction by | |||
Huw Arthur | |||
Steven Lawrence | (senior art director) | ||
Mark Raggett | (supervising art director) | ||
Molly Sole | |||
Sarah Stuart | |||
Production Design by | |||
Martin Childs | |||
Set Decoration by | |||
Celia Bobak | |||
Cherish Magennis | |||
Michel Rollant | |||
Costume Design by | |||
Arianne Phillips | |||
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