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Michelangelo's Last Judgment figures 'based on male prostitutes'
The muscular figures in Michelangelo's Last Judgment fresco in the Sistine Chapel were based on male prostitutes he encountered in homosexual bathhouses and brothels, an Italian art historian has claimed.

The Last Judgment, which took Michelangelo four years to complete, covers the altar wall of the Sistine Chapel, inside the Vatican
By Nick Squires in Rome

Elena Lazzarini, a researcher from Pisa University, believes the enormous fresco is replete with homosexual imagery, including a man being dragged into Damnation by his testicles and kisses and embraces between male figures.
She has explored the theory in a new book, claiming that Michelangelo drew much of his knowledge of male anatomy from his frequent visits to gay brothels and 'Turkish baths' in 16th century Italy.

"The virile male bodies are inspired by the physiology of labourers engaged in physical exertion, with taut muscles, strenuous exertion and pain etched into the expression on their faces," said Miss Lazzarini.
She said it was well documented that Michelangelo, who is believed by many historians to have been homosexual, frequented bathhouses and steam rooms tucked away in Rome's maze of cobbled alleyways.
"The bathhouses had many rooms where people could take hot and cold baths and massages. "And then there were other, secluded rooms, places of promiscuity and both male and female prostitution."
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