10/2/17

WEDS TEA SALON- DEBUT OF TOM OF FINLAND TEA!

PRESENTS
WEDNESDAY TEA SALON

OCTOBER 4TH
5PM
SALON ENDS PROMPTLY @7PM
$10 COVER
PREPAY RESERVATIONS GAURANTEES SEAT

-ENJOY-
HAND-BLENDED TEA
CAKES & DAINTIES
VIEW EROTIC ART
ENGAGING JOVIAL CHATS
RELAX & HAVE A NICE CUPPA
HOSTED BY RICK CASTRO

TOM OF FINLAND HOUSE
1421 LAVETA TERRACE
ECHO PARK, CA 90026
 ANNOUNCING THE DEBUT OF
TOM OF FINLAND TEA
CREATED BY RAYMOND SANDOVAL & RICK CASTRO

THIS ONE-OF-A-KIND, VERY LIMITED QUANTITY  
ONE-OF-A KIND- TEA TINS CREATED BY RAYMOND SANDOVAL

 BLEND OF ORGANIC MINT & ROSE HIPS
GROWN ON THE JEMEZ RIVER, NEW MEXICO

VERY LIMITED QUANTITY
$75 PLUS TAX & SHIPPING

TO PRE-ORDER-
 

TOM OF FINLAND HOUSE
1421 LAVETA TERRACE
ECHO PARK, CA 90026


WE WILL ALSO BE  CELEBRATIONG GORE VIDAL'S 92ND BIRTHDAY
GoreVidal 
October 3, 1925 – July 31, 2012)
 was American writer and public intellectual known for his
 patrician manner, epigrammatic wit, and polished style of writing.
As a political commentator and essayist, Vidal's principal subject was the history of the United States and its society, especially how the militaristic foreign policy reduced the country to a decadent empire. His political and cultural essays were published in The Nation, the New Statesman, the New York Review of Books, and Esquire magazines. As a public intellectual, Gore Vidal's topical debates on sex, politics, and religion with other intellectuals and writers occasionally turned into quarrels with the likes of William F. Buckley Jr. and Norman Mailer. As such, and because he thought all men and women are potentially bisexual, Vidal rejected the adjectives "homosexual" and "heterosexual" when used as nouns, as inherently false terms used to classify and control people in society.
As a novelist Vidal explored the nature of corruption in public and private life. His polished and erudite style of narration readily evoked the time and place of his stories, and perceptively delineated the psychology of his characters.His third novel, The City and the Pillar (1948), offended the literary, political, and moral sensibilities of conservative book reviewers, with a dispassionately presented male homosexual relationship. 

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